David Hockney
Hockney's 1972 work Portrait of an Artist (Pool with Two Figures) sold at Christie's auction house in New York City for $90 million, becoming the most expensive artwork by a living artist sold at auction.
This broke the previous record, set by the 2013 sale of Jeff Koons' Balloon Dog (Orange) for $58.4 million. Hockney held this record until 15 May 2019, Jeff Koons reclaimed the honour when his Rabbit sold for more than $91 million at Christie's in New York.Hockney has always returned to painting portraits throughout his career. From 1968, and for the next few years, he painted portraits and double portraits of friends, lovers, and relatives just under life-size in a realistic style that adroitly captured the likenesses of his subjects. Hockney has repeatedly been drawn to the same subjects - his family, employees, artists Mo McDermott and Maurice Payne, various writers he has known, fashion designers Celia Birtwell and Ossie Clark, curator Henry Geldzahler, art dealer Nicholas Wilder, George Lawson and his ballet dancer lover, Wayne Sleep, and also his romantic interests throughout the years including Peter Schlesinger and Gregory Evans. Perhaps more than all of these, Hockney has turned to his own figure year after year, creating over 300 self-portraits.
Plein air landscapes
Hockney returned more frequently to Yorkshire in the 1990s, usually every three months, to visit his mother who died in 1999. He rarely stayed for more than two weeks until 1997, when his friend Jonathan Silver who was terminally ill encouraged him to capture the local surroundings. He did this at first with paintings based on memory, some from his boyhood. In 1998, he completed the painting of the Yorkshire landmark, Garrowby Hill.
In 2007, Hockney's largest painting, Bigger Trees Near Warter or/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, which measures 15 by 40 feet (12.2m), was hung in the Royal Academy's largest gallery in its annual Summer Exhibition. This work "is a monumental-scale view of a coppice in Hockney's native Yorkshire, between Bridlington and York. It was painted on 50 individual canvases, mostly working is situ, over five weeks last winter." In 2008, he donated it to Tate in London, saying:
"I thought if I'm going to give something to the Tate I want to give them something really good. It's going to be here for a while. I don't want to give things I'm not too proud of... I thought this was a good painting because it's of England... it seems like a good thing to do."
Hockney is gay and has explored the nature of gay love in his portraiture. Sometimes, as in We Two Boys Together Clinging (1961), named after a poem by Walt Whitman, the works refer to his love for men. In 1963, he painted two men together in the painting Domestic Scene, Los Angeles, one showering while the other washes his back.
He holds a California Medical Marijuana Verification Card, which enables him to buy cannabis for medical purposes. He has used hearing aids since 1979, but realised he was going deaf long before that. He keeps fit by spending half an hour in the swimming pool each morning, and can stand for six hours at the easel.
Hockney has synaesthetic associations between sound, colour and shape.
Like his father, Hockney was a conscientious objector, and worked as a medical orderly in hospitals during his National Service, 1957-1959.
Hockney was a founder fo the Museum of Contemporary Art, Los Angeles, in 1979. He serves on the advisory board of the political magazine Standpoint, and contributed original sketches for its launch edition, in June 2008, as well as agreeing to allow Standpoint to publish his previous views and pictures over the years.
Comments
Post a Comment